środa, października 24, 2012

Shokuzai

A primary school girl, Adachi Emiri, is raped and murdered. Four of her friends, who were playing with her on the schoolyard that day, saw the murderer face-to-face, yet cannot do anything to identify him. Emiri's mother, Asako, invites the girls to a birthday party held in Emiri's memory. Sitting opposite them at the table, she confronts them with the following words:

"I won't forgive any of you. Find the murderer no matter what it takes. Otherwise, atone in ways that will satisfy me. I’ll never forget about you until that is done. You won't escape from the atonement."

Fifteen years later there are still no hints to the identity of the criminal. The case ran cold, yet the memories of the incident haunt the four survivors, their lives bent and twisted around these curse-like words.

Shokuzai is a story of vengeance and atonement, directed by acclaimed director Kurosawa Kiyoshi and based on a novel by Minato Kanae, the author of Kokuhaku and the currently airing Koukou Nyushi. The five episode mini-series was produced by WOWOW, a broadcaster with a reputation for the dark, grim and gritty, and they prove this reputation is well deserved. The first four episodes follow the stories of each of the surviving girls, connected only by the past that left them scarred, and the person of Asako (Koizumi Kyoko), always in black, appearing before them like a wraith.

In the first episode, Aoi Yuu plays a beautician with a distrust towards men, who finds herself in an emotionally abusive relationship. Second episode shows a story of a strict teacher (Koike Eiko), who rises and falls as a local hero after an incident in which she violently deals with an assailant on the school grounds. Ando Sakura stars in the third episode as a social recluse, who grows suspicious of her idolized brother's (an rare unsympathetic Kase Ryo) relationship with his own stepdaughter. In the fourth episode Ikewaki Chizuru plays a florist getting back at her sister after years of being sidetracked and taken advantage of. Will any of them break free from the past and Asako's curse? Or is there a chance the murderer will be caught, however slim it may be? The fifth, final episode will show. Or will it?

In terms of realization, the series is excellent. Tension is achieved with minimal means, music is non-existent for the most part or reduced to ambient, with one notable exception being the bagpipes in Ando Sakura's episode. The visuals are typical for a WOWOW show - sharp, cold and realistic. I particularly liked the use of flashbacks in each episode. They showcase different aspects of the day of the murder, that's for sure, but they also play a more subtle role. By continuously, almost nauseously, repeating certain scenes, like the scene where the girls meet the murderer or the quoted scene at the birthday party, the viewer himself feels as if he was constantly reliving the past the same way the characters do.

It's not an easy watch, yet it's certainly worthwhile. With so many dramas being simply a pleasant way to pass the time, it's good to have series like Shokuzai and broadcasters like WOWOW, consistently going against the flow.

My point for this show

You don't often see movie directors of this calibre getting into dramas, but when you do, you're in for a treat. Koreeda Hirokazu is the man behind currently airing Going My Home - we'll see how it will proceed, but the first episode was solid. SABU made Troubleman, a puzzlebox of a series that deserves more attention than it's getting. You also don't often see TV series on Venice Film Festival, which was the case with Shokuzai, either.

wtorek, października 23, 2012

Haru - Unforgettable day in Korea



"Haru – Unforgettable day in Korea" is a interesting mixture of genres. It’s a drama special, no doubt, but above all it’s a clever commercial, a promotional video of Korea with everything we might find attractive in the country. We can see action, breathtaking backgrounds, tradition and contemporary. Beautiful ladies and handsome guys, music bands, a tableful of Korean cuisine, fashionable shops and trendy jobs.

The plot is cut in small pieces, all of them connected somehow to one another. A scriptwriter (Chuno’s Lee Da-hae) writes her stories while travelling on the train. There, she meets a photographer (Kim Bum) and enchanted by him, she gets off to hang out in a beautiful old town. Taking a stroll, she tells him the story she would like to work on, of two lovers-assassins who keep their professions a secret from each other. Meanwhile,  her boyfriend, an actor (Tohoshinki’s leader Yunho) loses a ring while shooting some action scenes and dashes of to find a same replacement.

The story makes no sense and is only an excuse for all the eye-candy and product placement. Solely as a promotional material though it’s clever and funny. Being a little shorter it would be a great show to screen on international Expo. As a drama it's nothing more than a pretty package with no inside.

My point for this show

The show was actually produced by the Korean National Tourism Organization to honor the 2010 Visit Korea year available to the viewers through Haru website. I tried to compare this sort of national promotion with what we can meet in Japan. The most interesting examples for me are the "theme planes", airplanes painted with certain characters (like Pokemon) or idols (the Arashi plane). On international routes such a vehicle definitely catches one's eye. On a side note, the yearly Tokyo Drama Awards, that were announced just recently, are supposed to be granted to acts that could represent Japan on the international TV series market.

What are your thought about dramas are promotional videos? Share your thoughts with us.

niedziela, października 21, 2012

Saikou no jinsei no owarikata - Ending Planner



Japanese popculture deals with the topic of death and final partings (be it sudden or not) in various ways. We have, one could say, a whole genre of dealing-with-terminal-ilnesses melodramas with better and worse examples inside.Usually though the story ends when the character passes away and nobody is trying to explain to the viewer what is happening with them (or should I say, their bodies) afterwards.When I first heard the news about the 2011 winter drama "Saikou no jinsei no owarikata" (lit.The ending to a perfect life), I was intrigued. A story about a funeral parlour with Japan's favourite idols (Johnny's Yamashita Tomohisa, AKB's Maeda Atsuko)? A combination that was promising but also risky.

In 2008 the movie "Okuribito" (internationally know as "Departures"), a bittersweet story of an undertaker in a provincional town, outclassed the competition in the run for the Oscar. It also paved the way for the likes of "Ending Planner". Unfortunately though, there's nothing to compare.

"Saikou no jinsei no owarikata" starts when the siblings of Ihara-ya, a small, traditional funeral house, need to the face the sudden death of their father and decide about the future of the family business. The eldest son (Sorimachi Takashi) is away from home, not keeping in touch. The second, Masato (Yamashita Tomohisa) leaves current workplace to help his sister (Maeda Atsuko) with the Ihara-ya (of course, after agonizing a lot under dramatic circumstances). The youngest brother and sister (Johnny's JR Chinen Yuri and Ono Ito) are still students, with their own complexes and problems that need to be solved during the show. Masato encounters also two people that will have strong impact on his story from now on: a police detective, Yuki (Eikura Nana) and an old man who creeps into his garden to talk about philosophical issues (Yamazaki Tsutomu).

Each episode deals with a different story of a final parting that the Ihara-ya organizes, usually requiring a small detective mystery to be solved by the Yuki and Masapyon, how she calls Yamashita's character. In the background we have Ihara family issues and one big mystery arch, which is a good thing although one could expect better ending.

The Ihara siblings are nowhere near to "Hitotsu yane no shita" Kashiwagi family, in terms of depiction and acting.In fact only Sorimachi and Yamapi are likeable and the fact that they are actually very similar and could go as brothers (never noticed that before!) is a big plus. You should also keep an eye on Yamazaki Tsutomu as old Iwata-san, as Yamapi himself mentions him as his biggest idol and working with him as his dream and challenge (they have meet already on the set of "Kurosagi"), but for me the revelation with this character is a let down.

My point for this show  

Though not much, some interesting facts about how the undertaker business goes in Japan is being introduced to us in the drama. We can see how Ihara-ya struggles with much bigger competition, how it organizes a meeting with local dwellers to explain to them the points about organizing one's own funeral and - particulary interesting - how they keep good terms with the police to get faster information about the new bodies that are being brought to the mortuary for exchanging of "purification" gift (money or coupons).   

What are your thoughts about the show? Feel free to start a discussion in the comment box.